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Allison Paschke’s “Please Touch”

Do not touch the art. This is an edict all frequent museum and gallery goers know to heed, tiptoeing through exhibition spaces, aware of their bodies, ensuring a safe distance between themselves and the artwork. But Allison Paschke’s latest exhibit at AS220 is slightly different and may appeal to those who have always been tempted to touch a piece of art when no one’s looking.

As you enter the installation space, porcelain pyramids of varying shapes, sizes, and heights litter the floor, arranged carefully to form an aesthetically pleasing pattern. Paschke’s installation, entitled “Please Touch,” allows her visitors not only to touch her artwork but encourages them to move pieces around to their liking.

The show consists of four interactive art pieces, two of which are comprised of 2,000 small porcelain pieces and the other two of hundreds of pieces of resin and acrylic. People kneel on the floor of the gallery, examining, touching, and rearranging the pieces.

On the back wall hangs a shelf where more abstract porcelain pieces are assembled. According to Paschke, these pieces were created to exist on the border between abstraction and reality — shapes that can vaguely resemble real physical objects, as long as you use your imagination. Paschke made certain that none of her pieces were too literal, so as to make sure that visitors can enter their own worlds based on their personal interpretations of what the pieces represent. “I love other people’s interpretations and sense of discovery,” Paschke told me. “They become artists, coming up with things I could have never thought of.”

The same idea applies to her resin piece, comprised of small, curved pieces of resin that hang from the wall by delicate pins. Arranged in a grid pattern, the pieces of resin — or “drops” as she refers to them — boast vibrant hues of yellow and orange. Visitors are asked to move the resin pieces from pin to pin or to add new pieces, which are placed in a basket nearby with a sign stating: “Add, remove, replace, and move elements, from pin to pin.” Needless to say, I couldn’t help but rearrange some elements to my own satisfaction.

On the far right wall hangs another shelf, where colorful geometric shapes of resin and acrylic lean against fogged mirrors. While the mirrors are stationary, the resin and acrylic pieces are movable and can be arranged to the viewers liking. Paschke wanted to ensure that people could not see their reflections perfectly in the mirror, but rather provide the viewers with a vague sense of self-awareness and the ability to acknowledge their presence and interaction with the art.

With this exhibit, Paschke breaks the stereotype of staid and standoffish art galleries by coaxing out each visitor’s playful and imaginative nature. I left with the strangely comical impression of gallery goers on the floor, playing with and rearranging porcelain pyramids as if they were Lego pieces. There were people who showed a bemusing hesitance to touch the art, people who likely feared that they had misread the “Please Touch” signs pasted around the gallery. The casual air of the installation and the rapport between those who were participating in it was like a breath of fresh air compared to stuffy galleries where shudders can be felt if you so much as breathe near the art. If you’re anything like me, someone who is always tempted to touch anything that is accompanied by a prohibitive sign, I highly recommend you check out the exhibit. Even if you’re not anything like me, there is much satisfaction to be found in participating in Paschke’s exhibit and becoming an artist yourself.

 

I KNEAD Doughnuts

KNEAD Doughnuts is an artistry doughnut shop located in downtown Providence. They specialize in beautifully simplistic donuts in flavors like Old-Fashioned, Cake, Brioche, Filled, and Frittered.

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Baja’s vs. Baja’s

At Brown, not liking Baja’s is unheard of. The menu covers everything from TexMex (obviously) to hotdogs (um, not so obvious). Although I stick to quesadillas, many of my friends have daringly- and often drunkenly- tested their fries, hotdogs, burgers, and Philly cheesesteaks. All of their responses have been a similarly appreciative “Mmmm” while they stuff their faces.

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Donovan House

I find that being a substance free student can be discouraging. From substance using students not understanding me, to my sub free dorm not actually being sober, there are very few places at Brown where I actually feel comfortable being myself. I spend most of my time alone in my room or at Andrews up until the point when the stoned/drunk students come in. It is a combination of feeling ostracized from others and self-imposed isolation. But Brown has come up with a solution for students like me — the Donovan House.

The Donovan House is a program house for sub free students and students in recovery. The Donovan House, which I am very excited to live in next year, will offer a number of advantages to the students living there. There will be a zero tolerance policy of substance use by anyone in the house, something that is not currently enforced in my “alcohol/drug free” dorm. I will no longer have to fear leaving my room and smelling weed at 10 am when I’m walking to class or see boisterous drunk kids roaming the halls on the weekends. I’m not trying to shame anyone who participates in those activities — have all the fun you want— but it does personally affect me when it happens in my living space where it isn’t supposed to. In the Donovan House, I will have a space where that fear won’t even enter my mind. I know I will be able to take solace in that fact. In the house, I hope I will be able to get to know people intimately for who they are and, possibly, why they don’t partake. Without the presence of drugs or alcohol, I find I really get to understand and empathize with someone.

The RPL of the house will be sub free and therefore have an intimate knowledge of what the students in the house struggle with on a daily basis, making them well-equipped to help out. To tell you the truth, I don’t know much about the RPL’s in my dorm. I’ve probably interacted with them a handful of times, and that’s fine, but, on a particularly hard day, I don’t feel comfortable confiding in someone I don’t know. From what I have been told about the RPL in Donovan House, that won’t be the case. The RPL there will be there to support the members of the house in their times of need and also to enforce the zero tolerance policy. That will be a tremendous relief to me.

 My hope is that the various programming to be offered at Donovan House, which is likely to include discussion groups, will help bridge the gaps among sub-free students. People are sub-free for various reasons whether they be religious, related to past trauma, a matter of personal preference, or experience with addiction.

I’ve noticed a common divide between those in recovery and those who are not. Students in recovery tend to stick with one another, and those who aren’t do the same. I’ve wondered why this is the case. Perhaps it is a matter of mutual misunderstanding. Since the members of the Donovan House will be living with one another and will be in programming together, the two factions in the house may come to know each other and set aside what differences they have.

Living there, I know all of the members will have one thing in common — we don’t get intoxicated. And while that might not be important to most, it is to me. My entire life is based around the avoidance of substances and to meet other kids like me can only positively affect my interactions.

Maybe I’m being too idealistic about what will actually go on in the house. But I imagine Donovan House being the first place at Brown where I can feel totally comfortable, knowing there won’t be the looming presence of alcohol or drugs, where I am surrounded by people who actually understand me and who I, in turn, understand as well.


A St. Paddy’s Day Extravaganza

 

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With the inescapability of the color green, the wild outfits, the chaotic parties, and the copious drinking, St. Patrick’s Day is one of the most hyped-up days of the year on college campuses. It’s a day that many students look forward to so that they can really “let loose,” even though the same thing happens pretty much every weekend. While I obviously can’t speak for everyone, I can say with certainty that my day was not exactly the day of debauchery many expect. Here’s what happened.

6pm-8:30pm: This is prime time for doing absolutely nothing. I watched some YouTube videos, scrolled through the internet, and before I knew it two hours was up. Some of my friends sat beside me as well, interspersing the quiet with wise words such as “Bruh, this is gonna be dope, I love St. Patty’s Day,” and “OMG, St Patrick’s Day is my everything.” A few planned to have a really big night, because their uncle’s cousin’s boss’s nephew’s roommate or someone was Irish, so they had to drink for them.

8:30pm-10:30pm: A dorm party, exactly like the one that happened last Friday. Thirty kids or so packed into a tiny dorm room, standing awkwardly with a solo cup in one hand, phone in the other, so that they can look busy and avoid small-talk. Music plays from someone’s squeaky and aging Bluetooth speaker. Everything smells awful and sweaty as well.  But this time everything was green! Here’s a beer, but this time it’s green. Here’s a hat, but this time it’s a green hat. Standing around while listening to “Closer” by the Chainsmokers blare on the speaker for the 500th time was a terrific way to respect Irish culture. A few kids wandered around, more than a couple beers in already. “I’ve been drinking since 1,” one giggled, because apparently St. Patrick’s Day means we all have to get dangerously intoxicated.

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10:30pm -1:00am: A larger party–one of those beauties where it’s impossible to move, the music is super, super LOUD, and it’s pretty dark so seeing becomes a difficult task. Hundreds of people were packed into a far-too-small area, so I was constantly bumping into others and getting stepped on. It was also really hot in there (not in the good way), so more than a couple timeouts were taken so we could gasp for cold, clean air. Green hats were definitely bouncing though, and there were a lot of “Ireland” chants. And there was also more throw-up than usual (not green, in case anyone was wondering), which was fun to almost step in. Seriously, if there’s one thing to take-away from this little, sarcasm-filled blurb, it’s that self-care is important. No need to go out and rapidly inhale 15 drinks only to damage a liver or get EMSed (because let me say this, there were a lot more EMSs than usual).

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1:00am-3:00am: Sat in the dorm hallways for a while before wrapping up the evening. Some people wandered in and immediately went to bed. Others chattered for hours, remaining in the hallway until 4 or 5. I watched a movie with a couple friends before going to bed, ready to do the exact same thing Saturday night, except this time without all the green.

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Spring Weekend Lineup

The thing about Spring Weekend is that – unless you’re remarkably savvy when it comes to music – we often don’t really know who most of the performers actually are. The lineup is announced and, almost invariably, the word, “Who?” tumbles out of our mouths as we rack our brains for any store of knowledge about the artists in question. Are they any good? Are they Friday (rap/pop/hype) or are they Saturday (rock/indie/mellow) performers?

Let’s simplify that process a bit:

Empress Of

Empress Of makes music you can dance to – imagine pulsing multicolored lights on a busy dance floor, and you pretty much get what her music feels like. Her vocals are a bit more complex than that, lending an almost eerie, but definitely ethereal sense to her music.

Cherry Glazerr

At first listen, Cherry Glazerr reminds me of bands like Cage the Elephant and Cold War Kids – but with kickass female vocalists, woot! If you’re really into alternative rock and its emphasis on impressive guitar riffs and drums you can headbang to, or if you’re into soft vocals and trippy music (what can I say, they’re a diverse group), I would recommend making sure you see Cherry Glazerr.

 

AlunaGeorge

I’m pretty sure everyone has heard “You Know You Like It” at a party. Whether the party is actually hype or not, AlunaGeorge definitely lifts baseline Good Vibe levels by several degrees. With sensual vocals and beats that make you wanna get up and sway (or mosh, you do you) along with the music, AlunaGeorge offers a guaranteed boost to the General Hypeness of Spring Weekend.

Erykah Badu 

Badu is one of the most widely heralded queens of neo-soul. Her sultry voice and eclectic style have inspired a generation of budding afrofuturists. Badu’s music is marked by its combination of soft-spoken, ringing vocals and a pleasing confluence of R&B and Funk. Essentially, it’s melodious music which compels one (or at least compels me) to bob their head along to the beat.

Princess Nokia

Princess Nokia is an alternative rapper and singer whose music is very interested in exploring her identity as a Black Nuyorican (Puerto Rican from New York). Her smooth singing voice contrasts her style of rap, which is quick and rough. Though she’s certainly a versatile performer, I’m banking on her bringing her rap to Brown.

Oh, and her music videos are lit.

Young Thug

Young Thug’s rap has a lot of elements of trap in it, which I’m thankful for because it’s really conducive to energetic dancing, especially for an event like Spring Weekend. He’s known for having a very interesting voice, which I would describe as occasionally raspy and often warbly. Aside from his musical talents, Young Thug is a hilarious person. Check out his Wycleaf Jean video and see what I mean – it’s literally a metatextual work of art.