You have two free opportunities to see superb Brown student musicians performing Wednesday night, and it would behoove you to check one of them out. You can’t go wrong, either way. But what you don’t want is to try to attend both, and end up leaving in the middle of one of the concerts, and thus cause a distraction to one of the performers and become responsible for their train wreck. Here to help you make your decision, Blog lays down the basic facts.
1. BCA Presents: Speakeasy Vol. XIV [um, what is this, the Superbowl?]
The Speakeasy Series is a BCA event in which you actually do have some access to the musicians.
When? 8 p.m.
Where? Faunce Underground
There will be three sets: Sage Snider, then Bryn Bliska and Jamie Fried, and then The Muffinheads. Check out each artist’s description on the Facebook event—they say it better than we could.
BCA has stated that they are infusing their speakeasy series with more funding in exchange for the lack of Fall Concert. Let’s see them put their money where their mouth is!
BlogDailyHeard is a brief, periodic update on some things musical, with no pretentions of comprehensiveness; merely intended to give people something to sound knowledgeable about at dinner. Posts will typically include some combination of musical events too large to ignore, events that deserve some time in the spotlight, and/or happenings at Brown or in Providence.
We See You, JT:
Starting, inevitably, with the most blockbusting event of the past week or so, is Justin Timberlake’s latest outing, The 20/20 Experience – 2 of 2. If you were to accuse me of writing about this album a little late in the game, I would redirect the blame unto Justin himself, citing the very length of the album itself as my cause for tardiness. This disc, which is only half of the entire “experience,” clocks in at an impressive 74:25 (most albums hover in the 40-minute range). To see out of both eyes (The 20/20 Experience – 1 of 2 was released this past March), you need to listen to over 144 minutes of music. Why so long, Justin? You’re talented, and you’re cool, you really are, and we know it. We want to hear you, but not four times as much of you as we hear of anybody else.
Dare we wonder what are you trying to compensate for, Justin? Wasn’t the size of your box proof enough?
But don’t fret: it might be good news.
Each year, amid the incoming flurry of freshmen trying to locate Wriston in groups of no fewer than ten and the aloof pockets of seniors spurning campus in favor of shadier spots like “Transit St.,” Brown Concert Agency’s Fall Concert seems to come out of nowhere. As a single-night event (without the debauched reputation of Spring Weekend) featuring smaller-name bands, the thrill of finding out about the underpublicized Fall Concert is usually accompanied by the thrill of finding out there are still tickets available. Perhaps the epitome of BCA’s fall shows, at least in recent memory, was Big Boi’s 2010 performance—and Real Estate in 2011 was nothing to scoff at.
This year, however, BCA’s Fall Concert will not creep up on us as it has in the past. Not because they are doing a better job spreading the word, but rather because there will be no Fall Concert at all! Continue Reading
It is just true that no matter how much you love The Dirty Projectors, it is always going to be more fun to throw out a Kendrick lyric.
Kendrick’s album good kid, m.A.A.d city is about the difficulties Lamar faced growing up in Compton, California, and his experiences there are not exactly the same as a daily life on College Hill. Having said that, the album is full of lyrics than can be surprisingly applicable to Brown life.
Examples of how you can take being pumped about Kendrick above agreeing-via-Ya-Bish level:
“Money trees is the perfect place for shade and that’s just how I feel.” I am interning/working at (insert investment bank or consulting firm) this summer/after graduation. (“Money Trees“)
“Now this is not a tape recorder saying that he did it/But ever since that day, I was lookin at him different.” I am 90 percent sure that kid spilled a drink on me at a party once, OR, I really feel like that was the kid sat who ON HIS OWN in a Blue Room booth even though he just barely beat us there. (“m.A.A.d. city“) Continue Reading
Despite efforts to ensure that last year’s Spring Weekend ticket clusterfuck would never happen again, history seemed to repeat itself this morning. Spring Weekend ticket sale malfunctions? It must be spring! But you shouldn’t blame BCA. It was clearly a problem with the TouchNet payment processor that has exclusive contact with Brown. According to BCA’s most recent update, the only way you’ll know that you have successfully purchased tickets is if you have already received an e-mail confirmation. If you are one of the many
frustrated confused exhausted people whose credit cards were charged but did neither received tickets nor e-mail confirmations, all processing/pending charges will be removed from your statement within 48 hours, according to BCA.
Don’t lose all hope…at least not yet. BCA also announced that both tonight (4/15) at 8 p.m and tomorrow (4/16) at 7 a.m. an additional 1250 tickets per concert will be released.
Here are some funny statuses to keep your mind off the stressful Lord of the Flies dynamic into which we seem to have devolved. Hey, at least we’re not alone…
The battle for Spring Weekend glory continues. Late last February, the Brown Concert Agency announced their campaign to choose a student DJ to play between sets on the festival’s final night. After reviewing mix submissions, they narrowed the pool down to three candidates —Nick Melachrinos ’15, Tristan Rodman ’15 and Abe Arambolo ’13—and put the decision in our hands.
That’s when things got a little messy. Over Spring Break it became clear that some unfair practices were used to sway the results. By the time we returned to school, over three thousand votes had been tallied. The huge vote push could have been the product of a sweeping democratic impulse throughout our vacationing student body. However, the more cynical among us were quicker to attribute it to a few enterprising computer scientists. No one is interested in pointing any fingers — especially BCA — but turns out it’s very possible to rig results for polls like these using a script that automatically votes from open IP adresses. When the BCA came across “evidence” of this sort of vote tampering last week, they shut the thing down and started from scratch.
The new poll can be found on BCA’s blog. They used Google Forms to set up the poll this time, so the only way to vote is to use a legitimate Brown email address. Make sure not to get too tricky or eager; multiple submissions from the same email will void all of that email’s submissions. Listen to the mixes, vote for your favorite, and spread the word!