Wubappella takes the Dunkin’ Donuts Center by storm


Due to some technological hiccups, this camera phone photo is the best we could do for a graphic. We will post a professionally shot video of the performance when it becomes available next week. 

Last Friday, the Providence Bruins–the minor-league affiliate of New England’s beloved Boston Bruins–took on the New York Islanders’ minor-league team, the Bridgeport Sound Tigers. But that wasn’t all. Much more importantly, Brown University’s one and only unofficial official unofficial dubstep a cappella group, Wubappella, performed at some point between the first and second periods. That’s right, right up there on the big screen, was a group of dubstep-singing Brown students performing a remix of Katy Perry’s “Dark Horse.” And it’s a good thing they were up there on the big screen, because their perch in section 236 didn’t exactly make for the most ideal viewing angles for many of us. Fortunately, the sounds of Wubappella still boomed through the Dunkin’ Donuts Center loud and proud.

How’d the crowd take it? Well… the opinion of the room seemed to land somewhere between bemused and amused (and, certainly, entertained). Tom, a nearby Boston Bruins fan wearing a Tim Thomas jersey, said of the performance, “Not bad,” which is, of course, faint praise given the spectacle of his very first dubstep a cappella viewership experience. “I couldn’t really hear them that well,” Tom conceded. Shame, shame: this was a common theme. Julie, a middle-aged Rhode Island nurse, said the performance was difficult to hear and suggested: “Maybe they need to adjust the microphone height.” She did add, “I thought they were very enthusiastic.”

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Concert Knowledge: 8 Things I Learned at Fleetwood Mac


A magical thing happened on Wednesday night at the Dunkin’ Donuts Center.

I know that sounds ridiculous, but I swear, it was magic.

Fleetwood Mac stopped in Providence as a part of the second string of their “On With The Show” tour, the first time the ~core five~ members of the band have batted for the same team since Christine McVie, the band’s vocalist, keyboardist and accordionist, left in 1998. So it was a pretty big fucking deal.

Realizing that this may be the first and last opportunity I will ever have in my lifetime to get the full Fleetwood Mac experience, I bought tickets on StubHub and forgot about my 100 pages of creative nonfiction reading in order to do some creative nonfiction living. Ha.

Here are the eight things I learned and loved at Fleetwood Mac:

1. They just get it.

The first six songs of the setlist, in order:

The Chain
You Make Loving Fun
Second Hand News
Rhiannon (during which I decided I might name my child Rhiannon)

Fleetwood Mac came to fool nobody. They gave their loyal audience what is wanted. They played no games, like that time I saw John Mayer at Madison Square Garden and he only played, like, three songs that everyone knew. They didn’t leave anything out, either, including “Seven Wonders,” “Big Love,” “Landslide,” “Never Going Back Again,” “Gypsy,” “Little Lies,” “Gold Dust Woman,” “Go Your Own Way,” “World Turning,” “Don’t Stop,” “Silver Springs,” and “Songbird.”

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