Perhaps you’re acquainted with Blog’s column, This Week at the Avon. Meet the Avon’s sulky, redheaded step-sister: the hip, closer-to-sea-level competitor, Cable Car Cinema and Cafe. Cable Car, located on seabreezy South Main Street, has recently been deemed “Best Art House Cinema in New England” by Yankee Magazine.
Last we spoke about the Cable Car, the year was 2014 and the theatre had extended Finding Vivian Maier’s run on their silver screen. This week, Cable Car has resurrected Peggy Guggenheim: Art Addict in response to the wildly popular screening on opening night of the First Annual Providence Art & Design Film Festival, hosted by the RISD Museum. (As noted in Harper’s Bazaar, Guggenheim gave the RISD Museum one of her first Pollock drip paintings and one of her Jéan Helions, too.)
The film is directed by Lisa Immordino Vreeland, who gave us the exceptional movie The Eye Has To Travel about her grandmother-in-law, legendary Vogue editrix Diana Vreeland. (My grandfather recently watched the Vreeland documentary on Netflix and revered the “entertaining and informative” film for its “fantastic editing job.” Though our opinions may vary when discussing the filmic merits of Napoleon Dynamite, we both recommend that you add The Eye Has To Travel to your queue.) With her second film Peggy Guggenheim: Art Addict, Lisa I. Vreeland has established that powerful women with cultural capital are her beat.