A 2015 Pew Research Center study reports that 89 percent of American cell phone owners have used their phones during their last social gathering. Of American adults, 82 percent believe their cell phone use in social settings has negative effects on the conversation. Sherry Turkle, professor in the Science, Technology, and Society program at M.I.T., explores the detrimental effects of cell phone use in herNew York Times piece. Our increased dependence has led to a decrease in the ability of some to engage in “empathetic conversations” and read others for emotions, among other effects.
Hipster alert! “The Mason Jar, Reborn“traces the history of the trusted beverage container you see many of our classmates walking around campus with. The piece traces the transition of the mason jar from being used as a convenient method for preserving food to a symbol of “thrift, preservation, and personal labor” that has become ubiquitous in the capitalist system. Continue Reading
On Sunday, after months of speculation, Hillary Clinton announced that she will be running as a candidate for the 2016 presidential election. The Atlantic’s “The 2016 Presidential Race: A Cheat Sheet” breaks down the candidates who have announced and people likely to do so in the near future. Things keep heating up as the time left until election day winds down.
TheNew York Times‘ Michael Sokolove followed around the Philadelphia 76ers this season trying to get to the bottom of one of their worst seasons in recent history. In “How Long Can the Philadelphia 76ers Go?“, Sokolove explores the team’s history starting four years ago in 2011. He traces their successes and failures, including this season’s opening 17-game consecutive losing streak, to explain the 76ers’ 2014-2015 season.
Hudson Mohawke is not a Lower Manhattan-based hairstyle. He doesn’t even wear a Lower Manhattan-based hairstyle. But, I mean, he constructed the beat behind Yeezy’s “Blood on the Leaves,” which is perhaps the best song on Yeezus, and that’s good enough for me.
Born Ross Birchard, Hudson Mohawke looks like a literal sixteen-year-old but is actually 29. His dad gave him his first pair of turntables when he was 11. At 15, Mohawke was the youngest-ever UK DMC finalist. Except then, he spun under the name “DJ Itchy,” which is horrible. His career took off in his native Glasgow, Scotland, by getting radio slots, performing at Glasgow University, and DJing in clubs under the name DJ Mayhem, a big step up from DJ Itchy.
Mohawke had no real recognition outside the viral boundaries of SoundCloud etcetera until 2012. His repertoire was mostly composed of underground releases and mixes circulated online, even after signing to Warp Records in 2009. His first official release, “Spotted,” was featured on the Rush Hour beat compilation Beat Dimensions Vol. 1, and his second official release, “Free Mo,” was released on the Ubiquity Records various-artists compilation Choices, Vol. 1. In 2008, his first official EP, Ooops!, was an underground hit.
Jesse Watters has returned from the depths of the abyss that is FOX News’s New York office to comment alongside Bill “Falafel” O’Reilly on the cancellation of the “giant sex party” that is SexPowerGod. Speculating about why the party was called off, Papa Bear Bill insisted that the decision came from the administration, while Jesse correctly (Ed. I can’t believe he actually corrected the boss-man) pointed out that the University did not shut the party down.
Watters, who is THIRTY-SIX YEARS OLD and still trying to make a career out of alternately hitting on and making fun of college students, chalked the cancellation up to SPG having gotten “a little nasty.” Poor word choice when describing alleged sexual assaults and ER visits that stemmed from the party. Since we don’t want to dignify the clip too much by embedding it in this post, you can watch it here.
O’Reilly jokes on the new segment that Jesse needs to come back because the Brown student populace misses him, but it seems that Jesse misses us. The man has visited us annually for the past three years!
Well, now we (read: Caitlin Dorman ’16) have done that, and it wasn’t too difficult of an adaptation. In fact, there is so much romantic tension between Jesse Watters and us that the most difficult part of the whole process was blending the skin tones of Jesse’s face with Kim Kardashian’s neck.
Lucky for you all, I know the answer to the question that has been keeping you up at night. No, it’s not the pressing matter of “Do they like me back?” or, “Did I just fail my midterm?” or even, “Should I go out tomorrow night?” But rather, I can provide you with the long-sought answer to: “If the dining halls were rappers, who would they be?” See below, and thank me later.
Andrews Commons = Drake
“Started from the bottom, now we eating pho.”
Andrews Commons is the hottest dining hall on the scene right now. It’s young, fresh, and multi-cultural. I have even heard that Andrews was on Degrassi for a while, but I’m not sure, that could just be a rumor. But in all seriousness, AC and Drake are so clearly twins (Can a person and a dining hall be twins? In this case, I’ll argue yes). Drake is everyone’s guilty pleasure, and Drake and AC can both provide happiness until the wee hours of the night. Whether you are feeling sad, hungry, happy, tired, defeated, or lonely, Drake is there for you. Slip in some headphones and bump some “Nothing Was the Same,” “Take Care,” or “Thank Me Later,” and all suddenly becomes better. Andrews provides the same source of solace; whether you are craving some nacho pizza, pho, ageless sushi, mystery calzones, or a beastly grinder, it has your back and never asks, “Are you sure you want all of that?” Finally – Drake hates breakfast, and Andrews Commons does not serve breakfast. He even raps about it –“Bank account statements just look like I’m ready for early retirement…I hate breakfast.” ‘Nuff said.
Jam of the Week –Rhye – Open This song has been around for a while but there’s a new music video. In classic Rhye fashion, the video features a couple dealing with Jonathan Franzen-style bourgeois ennui.
Cover – Azealia Banks – Barely Legal (The Strokes Cover)
I cannnnnnot get over this song. I play it when I’m getting ready for school. I play it when I’m doing homework. It’s simultaneously background noise and the fliest shit in the world. I hope Azealia Banks stops using homophobic language because this secures her place in my heart as an eternal BAMF.
Pop – Perfume – Fake It
The Internet loves Japanese pop-star Kyary Pamyu Pamyu, and for good reason because she’s the weirdest. But sometimes I want to return to good ol’ uncomplicated J-Pop, and Perfume fills that void perfectly. Plus all three of them are painfully cute and I like seeing them bop around in those little outfits.
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