“I don’t really have a worldview. Well, actually, my worldview is that the world is a pile of shit.”
That’s definitely the idea you get as you walk into the Upspace for The Pillowman, which opens tonight at 8 p.m. and runs through Monday. With a dark, minimalist set and eerie dolls hanging on the wall, averting their gaze from the audience, this dystopian world director Andrew Ganem ’16 has created is unsettling before the actors even take the stage.
Yet, it is the cast, as they vacillate abruptly between riotous dark comedy and engrossing drama, that truly brings the text of Martin McDonagh’s terrifyingly brilliant three-act play from 2003 about a writer, Katurian Katurian (Alex Ostroff ’14), accused of carrying out the murders of three children exactly like they take place in his short stories, to life.
First, there’s Tupolski and Ariel, played by Sam Rubinek ’17 and Keston McMillan ’17, the abusive and deliciously sadistic policemen. As they nonsensically question Katurian about murders he did not commit, McDonagh’s biting satire is in its purest form, thanks to Rubinek and McMillan’s mastery of the comic tone and timing. Rubinek, with a drawl reminiscent of a 1950s Chicago mobster, is the good cop (although in this hopeless totalitarian dictatorship, there is no such thing) . McMillan is certainly the bad cop, his speech menacingly quiet and his body language hinting at the imminent doom each of these characters is hurtling towards. The first act belongs to this freshman duo.