Do you find yourself unable to resist taking pictures of the beauty around Brown’s campus to share with your Instagram followers? Or documenting what(ever) the fuck is happening on the Main Green? Or even just capturing the most “Brown” moments in your day to immortalize on social media?
@BlogDailyHerald wants to see what you’re snapping! Tag all of your Instagram photos with these various #’s – #BlogDH #Brunonia #StudentsWhoDoCoolThings #WTFisHappeningontheMainGreen. Each week, we’ll feature the best of your pics on our own Instagram account in order to help you achieve an even higher status of Insta-stardom.
What are you waiting for? Spread your love for Brown AND be Insta-famous. #RaRaBrunonia
P.S. Follow @BlogDailyHerald on Instagram if you haven’t already!
In case you’ve been living under a rock that doesn’t have Internet access or anything that brings happiness, you probably have heard that the roped off piece of Scili Desert was in fact housing a duck and her eleven baby ducklings (see above for cuteness overload). You also might have happened upon a Facebook page purportedly run by the Scili Duck herself. It has over 2,200 likes, and its updates have been quite something:
The Scili Duck Facebook page — along with its subjects — has been a welcome respite from a tough finals period. The page and BlogDailyHerald has had some online interaction in the days leading up to the ducklings’ birth, and we wanted to discover which social media genius was behind it.
While we understand that everyone is busy with finals and the ever-annoying task of packing (who knew you brought so much to school?!), take a few minutes to read about the work of Juhee Kwon ‘14, who compiled archival material and created a website to highlight the scholarship surrounding Asian American Studies at Brown. The website launched earlier this month and provides unique insight into the dynamics of identity within the context of both Brown and the United States more broadly. Check out our exclusive interview with Juhee below:
BlogDH: How did your project come to fruition? What was your ultimate goal in creating the webpage?
Juhee Kwon: The project was the Asian American program studies website. I wasn’t initially going to do anything for my senior thesis unless it was practical and… applicable. Asian American Studies is a field that has been burgeoning recently; there was an ethnic studies movement in the 60s where a lot of West Coast schools established colleges of Ethnic Studies and programs like that, and it has moved over the East Coast since. Brown has an Ethnic Studies program, but it doesn’t have Asian American Studies or Latino Studies or Native American Studies programs… but there is a lot of scholarship that is being produced in terms of the faculty and the graduate students.
Robert Lee, who is in American Studies, requested that I compile an archive/website to showcase the amount of scholarship that has been produced, without any sort of University funding or help. Even without the University we have done this much… give us administrative support. [The website serves] as an abstract space so that scholars, graduate student and undergrads can come together and focus specifically on Asian American studies.
Cody Fitzgerald ’15, a music and computer science double concentrator and the creative force behind the musical project Stolen Jars, has spent years mastering the art of turning musical complexity into simplicity: “I’m really interested in rhythms of parts becoming one part together, and things becoming indistinguishable from each other even though they’re played by different instruments or done by different things and just becoming one melody.”
Fitzgerald, who grew up in Montclair, New Jersey, describes Stolen Jars as a “kind of loop-based music—it mixes between, like, Dan Deacon and Dirty Projectors.” He also cites the ska punk band Bomb! the Music Industry as an influence, having first played in bands of that genre before launching his own projects. “I played in some pretty terrible bands [in middle school]“, Fitzgerald says. In high school, he became more serious about music, forming three different bands that would each record an album. “After that, I realized I really wanted to do something that was more my own music,” he recalls. “Those other bands were more collaborative, and I started Stolen Jars as a way to make something that was really just me.”
The unorthodox name was a product of Fitzgerald’s perception of his music: “When I was writing [the first album], it always felt to me like I was taking these little tiny pieces of things and putting them together in very weird ways, and that’s kind of what the music sounded like to me: somebody having these little jars of sound and just opening them up at really random times.”
STOP WHAT YOU’RE DOING! Put down your beer book and start watching that video. Right?! Holy crap, that voice is sultry as hell. And guess what: it belongs to a student here! In fact, all the members of this band go to Brown. A collaboration between top musicians such as Dolapo Akinkugbe (DAP) ’16, Clyde Lawrence ’15, and Bryn Bliska ’14, this impeccably shot cover of Chance the Rapper’s “Cocoa Butter Kisses” was conceived before BCA had even revealed that the mastermind of Acid Rap would be playing at Spring Weekend. As Clyde tells it, the group had played a cover of the song at a birthday party, and “once we heard he was coming, we decided we needed to make a video.”
But just look at them go! Chance must be proud. Tune in to this crew to finish your Spring Weekend right.
Here’s the entire list of folks rocking out in the cover:
Clyde Lawrence ’15 // Keys/Vocals
Dolapo Akinkugbe (aka DAP) ’16 // Vocals
Bryn Bliska ’14 // Organ/Vocals
Peter Enriquez ’14 // Guitar
Ana Gonzalez ’15 // Bass
Jamie Fried ’14 // Drums
Sumner Becker ’14 // Sax
Zach Levine ’15 // Trumpet
Jordan Beard ’15
If you’re looking for more badass beats, go here for Clyde’s web site, here for DAP’s, here for Bryn’s and here for Jordan’s. You won’t regret it.
Looking for a cool thing you shouldn’t miss? Check out the premiere of two new dance pieces, “After the Multiplex” and “The Process of Devouring,” choreographed by Sarah Friedland and Nadia Hannan respectively. The performances are presented as a component of Sarah’s Modern Culture and Media honors thesis and a continuation of Nadia’s Performance Studies capstone. Attention new sophomore concentrators in MCM and Performance Studies: if Heavy Petting failed to calm your post-declaration anxiety, this might be just the event to reassure your sorting-hat-determined decision.
The choreographers were kind enough to share with BlogDH some information about their respective works after the jump.
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