Brown Gilbert & Sullivan presents Camelot


We are living in dark times. As Brown begins to enter this most trying of periods in the semester–with the riotous celebrations of Spring Weekend behind us and the ominous specter of finals beginning to loom–glad tidings may seem few and far between. In sooth, though the days may be longer and the weather warmer, we are but prisoners; chained to our desks, subsisting on a meager diet of Ratty take-out. These are dark times indeed.

But lo! Enter Brown University Gilbert and Sullivan‘s production of Camelot, a performance destined to uplift you from your dreary existence and fill your world with song and dance.

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A cool thing you shouldn’t miss: Tonight We Improvise


Rebecca Maxfield ’13 graduated Brown with a bachelor’s in theatre arts and performance studies. While at Brown, Maxfield found time to study Italian and translation; for a final project, she translated Questa sera si recita a soggetto (translation: Tonight We Improvise).  Although she had long been contemplating translating and directing it, she saw the final project as an opportunity to make a first pass at it in a workshop environment. Since then she’s continued to work on the script. Additionally, Maxfield produced The Tempest for her capstone project. Since graduating has directed Gianni SchicchiThe Light in the Piazza, and other Shakespeare, as well as assistant directing various classic and modern plays in New York and in Providence, including The Grapes of Wrath at Trinity Repertory.

This weekend, Maxfield is producing Tonight We Improvise at 95 Empire, formerly Perishable Theatre and now part of AS220. Tonight We Improvise is “a rarely performed play from one of the great theatrical thinkers of the early twentieth century, Luigi Pirandello. Known for Six Characters in Search of an Author, the playwright uses this play to tackle, in a way that is on-point and often hilarious, what it means to act.” The cast and crew includes two current undergrads, Pu-Ning Chiang and Marissa Grier, and an MFA acting student, Billy Finn.

The play will run tonight at 8 p.m., Saturday at 2 p.m. and 8 p.m., and Sunday at 2 p.m. Not down with the cover charge for whatever party you were planning on attending? Tickets are free for Brown and RISD students!  Escape the chaos that will be the 250th Opening Celebration and head off the Hill to see a really cool performance and support an alumna.

Image via.

What to do this week: February 24 – 28

what to do this week

Monday, February 24:

Event: Celebrate Every Body Week 2014
Time: All day, all week
Location: Various locations

This week, Brown University Health Education has planned a variety of events and activities in honor of Celebrate Every Body Week. In collaboration with Brown Psychological Services, Brown Recreation, Lifespan Hospital, and the Yoga and Mindfulness (YAM) student group, the week will feature various fitness classes, panel discussions, and even a dance party. Check out the Facebook page for a full list of events.

Event: Discussion: Hazing and Initiation at Brown
Time: 8 p.m.
Location: Salomon 203

Join the Brown Political Forum and Delta Tau Fraternity for a discussion about Brown’s policies on hazing and initiation. Free pizza will be served, and this event is open to the public.
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What to do this week: February 19-22

what to do this week

Wednesday, February 19: 

Event: Writers or Missionaries? Reporting the Middle East
Time: 2:00 p.m.
Location: Joukowsky Forum, Watson Institute

Join the GISP “Wiring the Middle East: Nonfiction Coverage and New Digital Frontiers” and Brown Middle East Studies for a conversation with Adam Shatz, Contributing Editor of London Review of Books. This event is free and open to the public.

Thursday, February 20:

Event: The Days Between
Time: 8:00 p.m.
Location: Granoff Center

Check out this new opera by Ben Kutner ’14, directed by Zach Rufa ’14. Can’t make it on Thursday? Don’t worry: there will be 3 other performances on Friday the 21st at 8p.m., and Saturday the 22nd at both 2p.m. and 8p.m. According to the event description, this original production, based loosely on the Arab Spring, “follows four national figures as they weather the power vacuum after their leader’s death – each attempting to ride out on top.”

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A Cool Thing You Shouldn’t Miss: ‘In Search of Air’

Lida Winfield performing "In Search of Air."

Lida Winfield performing “In Search of Air.”

Although we are sometimes reluctant to admit it, RISD has cool things going on. One such event is “In Search of Air,” a dance and theatre performance by Vermont dancer, choreographer, and spoken word artist Lida Winfield.

“In Search of Air” chronicles Winfield’s struggles growing up with a learning disability and her ultimately triumphant journey towards literacy, which she achieved in her early twenties. Combining gravitas and humor, Winfield’s piece attempts to explore a group of children thrust to the fringes of society.

“Every child with a behavioral, social, physical or learning disability was tucked in the same room. We were angry children,” Winfield writes on her website.

In typical hipster RISD fashion (although they aren’t as hipster as we are…), this performance piece is interdisciplinary and explores the holes in our ability to communicate, both verbally and nonverbally.

“In Search of Air” is one night only, being performed tonight from 7:00-9:00 p.m. at 226 Benefit Street. Admission is free.

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What’s Up in the Downspace? Sink at PW


You can get your dose of existentialist anxiety, synchronized swimming, and devised theater in one fell swoop this weekend with “Sink,” an original play by Ursula Raasted ’14. Integrating text, movement, and music, PW’s latest offering builds a lyrical and unsettling dream world in 9 non-sequential vignettes. The work centers on the “capsizing relationship between a sailor and a siren,” Raasted said, but don’t come to the Downspace expecting a rehashing of Homer’s Odyssey. In “Sink,” 9 anonymous performers, categorized into triplets of “sailors,” “sirens,” and “soothsayers,” fall hopelessly in and out of sync with one another, struggling to give meaning to their existence and to distinguish between their individual and collective identities.

The major conceptual project of the work was “trying to figure out how you can use text and movement … to support each other instead of having … a hierarchical relationship between the two,” Raasted said. Indeed, the actors tell much of the story with an arsenal of precisely coordinated gestures that range from military marches to dry-land synchronized swimming routines. The rhythmic maneuvers were devised in rehearsal and are delivered unblinkingly by a remarkably cohesive group of actors – gold stars to movement consultant Sarah Friedland ’14. Original songs composed by (who else?) Raasted herself and lighting design by Austin Draycott ’15 are also integral to the storytelling. “Sink” will confuse, surprise, upset, and delight you. It is a bizarre, ecstatic work of theater from the mind of an exciting young playwright.

“Sink” runs in the PW Downspace tonight at 8 p.m., Saturday at 8 p.m. and 11 p.m., Sunday at 5 p.m., and Monday at 8 p.m. Free tickets will be made available one hour before show time.

Photo by Regine Rosas.