We are living in dark times. As Brown begins to enter this most trying of periods in the semester–with the riotous celebrations of Spring Weekend behind us and the ominous specter of finals beginning to loom–glad tidings may seem few and far between. In sooth, though the days may be longer and the weather warmer, we are but prisoners; chained to our desks, subsisting on a meager diet of Ratty take-out. These are dark times indeed.
But lo! Enter Brown University Gilbert and Sullivan‘s production of Camelot, a performance destined to uplift you from your dreary existence and fill your world with song and dance.
Monday, February 24:
Event: Celebrate Every Body Week 2014
Time: All day, all week
Location: Various locations
This week, Brown University Health Education has planned a variety of events and activities in honor of Celebrate Every Body Week. In collaboration with Brown Psychological Services, Brown Recreation, Lifespan Hospital, and the Yoga and Mindfulness (YAM) student group, the week will feature various fitness classes, panel discussions, and even a dance party. Check out the Facebook page for a full list of events.
Event: Discussion: Hazing and Initiation at Brown
Time: 8 p.m.
Location: Salomon 203
Join the Brown Political Forum and Delta Tau Fraternity for a discussion about Brown’s policies on hazing and initiation. Free pizza will be served, and this event is open to the public.
Wednesday, February 19:
Event: Writers or Missionaries? Reporting the Middle East
Time: 2:00 p.m.
Location: Joukowsky Forum, Watson Institute
Join the GISP “Wiring the Middle East: Nonfiction Coverage and New Digital Frontiers” and Brown Middle East Studies for a conversation with Adam Shatz, Contributing Editor of London Review of Books. This event is free and open to the public.
Thursday, February 20:
Event: The Days Between
Time: 8:00 p.m.
Location: Granoff Center
Check out this new opera by Ben Kutner ’14, directed by Zach Rufa ’14. Can’t make it on Thursday? Don’t worry: there will be 3 other performances on Friday the 21st at 8p.m., and Saturday the 22nd at both 2p.m. and 8p.m. According to the event description, this original production, based loosely on the Arab Spring, “follows four national figures as they weather the power vacuum after their leader’s death – each attempting to ride out on top.”
Lida Winfield performing “In Search of Air.”
Although we are sometimes reluctant to admit it, RISD has cool things going on. One such event is “In Search of Air,” a dance and theatre performance by Vermont dancer, choreographer, and spoken word artist Lida Winfield.
“In Search of Air” chronicles Winfield’s struggles growing up with a learning disability and her ultimately triumphant journey towards literacy, which she achieved in her early twenties. Combining gravitas and humor, Winfield’s piece attempts to explore a group of children thrust to the fringes of society.
“Every child with a behavioral, social, physical or learning disability was tucked in the same room. We were angry children,” Winfield writes on her website.
In typical hipster RISD fashion (although they aren’t as hipster as we are…), this performance piece is interdisciplinary and explores the holes in our ability to communicate, both verbally and nonverbally.
“In Search of Air” is one night only, being performed tonight from 7:00-9:00 p.m. at 226 Benefit Street. Admission is free.
You can get your dose of existentialist anxiety, synchronized swimming, and devised theater in one fell swoop this weekend with “Sink,” an original play by Ursula Raasted ’14. Integrating text, movement, and music, PW’s latest offering builds a lyrical and unsettling dream world in 9 non-sequential vignettes. The work centers on the “capsizing relationship between a sailor and a siren,” Raasted said, but don’t come to the Downspace expecting a rehashing of Homer’s Odyssey. In “Sink,” 9 anonymous performers, categorized into triplets of “sailors,” “sirens,” and “soothsayers,” fall hopelessly in and out of sync with one another, struggling to give meaning to their existence and to distinguish between their individual and collective identities.
The major conceptual project of the work was “trying to figure out how you can use text and movement … to support each other instead of having … a hierarchical relationship between the two,” Raasted said. Indeed, the actors tell much of the story with an arsenal of precisely coordinated gestures that range from military marches to dry-land synchronized swimming routines. The rhythmic maneuvers were devised in rehearsal and are delivered unblinkingly by a remarkably cohesive group of actors – gold stars to movement consultant Sarah Friedland ’14. Original songs composed by (who else?) Raasted herself and lighting design by Austin Draycott ’15 are also integral to the storytelling. “Sink” will confuse, surprise, upset, and delight you. It is a bizarre, ecstatic work of theater from the mind of an exciting young playwright.
“Sink” runs in the PW Downspace tonight at 8 p.m., Saturday at 8 p.m. and 11 p.m., Sunday at 5 p.m., and Monday at 8 p.m. Free tickets will be made available one hour before show time.
Photo by Regine Rosas.