Recommended Reading: Silence Once Begun, by Jesse Ball


The most common feature of life at Brown is all of the wonderful free time students have. Now, what to do with all of it? Ha, ha. Ha. Okay, we’re obviously all up to our necks in work, but if any of you are like me, you’re apt to spend some of your precious sober leisure time with a good book. Recommended Reading is a biweekly column in which I’ll tell you what I think is worth reading. If you don’t have the time to sit down and read Moby Dick (You should try to find time, though; it’s great.), don’t worry. The content will include poetry, comics, short stories, and perhaps the occasional essay. If you think I’m a hack and all of my opinions are shallow and boring, feel free to hate-read.

It’s rather unusual for a writer to focus on the meanings conveyed by a lack of language, but Jesse Ball’s novel Silence Once Begun focuses on exactly those vague conveyances of thought. In so doing, he crafts a tale that is both engaging and mysterious, following a crooked path through the tale that is fraught with doubt and ambiguity.

The novel is narrated by Jesse Ball, though how much the character overlaps with the author himself is never entirely clear. When his wife stops speaking to him, Ball journeys to Japan to research the decades-old case known as the Narito Disappearances. The crime in question involved the mysterious vanishings of elderly people who lived alone in the Narito area. The man who signed a confession to the crime, a reserved thread-store worker named Oda Sotatsu. Sotatsu signs the confession after losing a bet to two other people: a man named Sato Kakuzo, and a woman named Jito Joo. But even as he wastes away in prison, Sotatsu never speaks to the police, neither to proclaim his innocence, nor admit his guilt. Continue Reading

Escape the (finals) cave with Bat Boy

At one moment or another we’ve all told ourselves the following: I’m an outcast.  No one likes me. I feel ugly.  I feel weird.  If you’re looking for a little Schadenfreude this weekend, come check out Bat Boy at PW.  This funny and touching musical, directed by Alex Ostroff ’14, follows the journey of a boy (half bat, half human) as he tries to become an accepted member of society. The show is fast-paced with catchy songs and more costume changes then one person can fathom.


Be warned that what seems like a silly story about a bat boy finding his way in a misguided rancher town on a mountain is actually loaded with serious messages. However, these are easily passed with a tall glass of fake blood with a side of humor and absurdity. When asked what he wants the audience to walk away with, Ostroff said, “There are a lot of ‘morals’ in the show, and we’ve talked about some of them as a cast, but I’d have a hard time choosing one that is most important.”  Set in West Virginia, this show questions Christianity, modern science, and how much freedom you should give children. The black cage-like set, designed by Becca Balton ’14, allows the actors to amazingly transform it: Whether it’s a living room, slaughterhouse, cave, or a forest filled with talking animals, the energy and dedication of the actors fills the space and transports you. Continue Reading